Manual From the Eyes of Jesus: A Novel About the Coins of the Shroud of Turin

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Voice of Reason: The Truth Behind the Shroud of Turin

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Ring Smart Home Security Systems. PillPack Pharmacy Simplified. This motivated scientists at leading national laboratories and research facilities in the United States to form the Shroud of Turin Research Project STURP to apply the best scientific methods and equipment to determine how the image on the Shroud was formed. About 24 of their team went to Turin in where they were allowed five days, 24 hours a day, to perform non-destructive testing on the Shroud.

This means that the image could not be due to paint, dye, or stain. This means that the image could not be due to a scorch from contact of a hot object with the cloth. It is not visible in back lighting. From this, the STURP team concluded that the image does not result from any substance placed on the cloth, which means that the image could not be a rubbing, a dusting, or a print.

The image is caused discoloration of only the top one or two layers of fibers in a thread. The thickness of this discolored layer is about 0. The inside of the fiber is not discolored. This change in the electron bonding of the carbon atoms is equivalent to a dehydration and oxidation of the cellulose molecule.

(PDF) Numismatic dating of the Shroud, P23 | Robert A Rucker -

But how can this change in the electron bonding of the carbon atoms be accomplished to create an image of a crucified man? Note that several of the above items are inconsistent with the Shroud being a forgery from the Middle Ages. Only the C14 date is inconsistent with the time of Jesus. In , samples were cut from a corner of the Shroud for carbon dating at three laboratories. The results of the 16 measurements were interpreted to mean that the Shroud dated to It includes a painted drawing that must have been copied from the Shroud of Turin based on the pattern of burn holes on the painting and on the Shroud, so the Shroud must have existed in AD.

It is believed that the spinning wheel was invented in Asia by the 11th century and had spread to Europe by the 13th century. Since the Shroud is made of hand-spun thread, the threads that compose the Shroud were probably spun before the 12th century. The international standard of the market place at the time of Jesus was the Assyrian cubit which was equal to about The dimensions of the Shroud in this unit is very close to 8 by 2 cubits, indicating it was made in ancient times when the cubit was used as a unit of measurement.

Ancient coins that contain the same image as the Shroud of Turin go back to about AD, thus showing that the Shroud must have existed prior to about AD.

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It is called the Sudarium of Oviedo. Similarity of the blood stain on the Sudarium and the Shroud mean that they covered the same body, indicates that the Shroud can also be dated back to at least AD. Ancient paintings and other works of art that contain the same image as the Shroud of Turin go back to about AD. The image on the Shroud is that of a crucified man.

Specifics of this image indicates that it was made at a time when there was current knowledge of Roman Crucifixion, which was outlawed in AD. Thus, the image on the Shroud was probably made earlier than AD. There is a 3. The stitch used to connect this side piece is a unique stitch, most similar to a stitch on a piece of cloth found at Masada, which was destroyed in 73 to 74 AD.

The image on the Shroud is that of a naked man who was crucified exactly as the Bible says that Jesus was crucified. Many evidences indicate that it is most reasonable to believe that the image was made by his dead body. A photograph of the face on the Shroud taken by professional photographer Giuseppe Enrie in indicates a possible coin over one eye. This evidence is tentative. Giulio Fanti developed three different types of physical tests to determine how flax fibers change with age.

Fibers from the Shroud show damage from sources of natural background radiation similar to that found on the Dead Sea Scrolls, which are dated to about BC to 70 AD. Thus, the Shroud should date to about this same period. In , samples were cut from the corner of the cloth and sent for carbon dating at three laboratories in Tucson, Zurich, and Oxford. Carbon dating is done by measuring the C14 to C12 ratio of samples, and the date is implied from the ratio. The three laboratories made 16 measurements of the C14 to C12 ratio.

New technology offers additional proof of the authenticity of the Shroud of Turin.

Since it cannot be determined from the measurements how much they were affected by this systematic bias, the conclusion in Damon that the Shroud dates to to AD should be rejected. The technology to form this image still does not exist. This is discussed in the previous section. The average dates from the laboratories in Tucson This indicates that something altered the date measurements as a function of depending on the distance of the original location of the samples from the bottom of the cloth. Nuclear analysis computer calculations indicate this slope in the carbon dates is about the same as would result from new C14 produced on the Shroud by neutron absorption resulting from the distribution of neutrons in the tomb if they were emitted from within the body.

This something, or bias, changed the measurements by about 36 years per cm as stated above. What altered the measured dates? Evidence indicates the image was formed by a burst of radiation emitted from within the body. Atoms that make up the body are composed of protons, neutrons, and electrons. Why do we see the image of a naked crucified man on the Shroud? We can see the image of a naked crucified man on the Shroud because the information that defines the appearance of a naked crucified man has been encoded into the pattern of discolored fibers on the Shroud. Photons of light that reflect off the Shroud carry this information to our eyes, where the rods and cones at the back of our eyes translate it into electrical signals that travel up our optic nerves to our brains.

Previous scientific research on the Shroud indicates that the characteristics of the image are so unique that no one artist or forger could have created the image either in a previous era or even today. How then was the image made on the Shroud?

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The required information, discussed above, was carried from the body to the cloth by radiation charged particles or infrared, visible, or ultraviolet light which deposited it on the cloth when it was absorbed. How can the carbon dating to not be correct? In , samples were taken from the bottom corner of the Shroud and sent to three laboratories in Oxford, Zurich, and Tucson for C dating, which is done by measuring the C to C ratio, since C decays but C is stable.

However, multiple subsequent statistical analysis of the data from the 16 measurements by the three laboratories indicates that the measured values were not consistent with the measurement uncertainties. In statistical analysis terminology, the three samples were heterogeneous inconsistent with each other because their C to C ratios had been altered by a systematic bias that was a function of the distance from the bottom of the Shroud. This very strange result indicates that the measurement data should have been rejected for dating the Shroud. Most of the blood would have dried on the body by the time that the body was placed into the Shroud in the tomb.

Dried blood will not soak into a piece of cloth placed over the blood. In fact, blood that is dried on skin must be scrubbed off the skin to remove it. The blood marks on the cloth are pristine in appearance with no cracking or chipping on the outer edge. This indicates that the Shroud was not lifted off a body from which it had soaked up the blood. How then could the dried blood have transferred from the body to the cloth, even where the Shroud would not have been touching the body and where there was no underlying wound?

The evidence is not adequate to explain this fully yet. However, the concept of a burst of radiation emitted from the body that forms the image on the Shroud raises an interesting possibility. Particle radiation and electromagnetic radiation infrared, visible, and ultraviolet light carry momentum.

When these forms of radiation hit an object, they can transfer momentum to the object and thus force it to move. An extremely intense rapid burst of radiation from the body would have the capability to force the blood off the body and thrust it onto and into the Shroud. If the radiation were vertically collimated, as would be needed to form the image on the cloth without a lens between the body and the cloth, the blood would be transferred vertically up and down away from the body so that when it reached the cloth, it would still be in the configuration that it was in on the body.

The ultimate question is whether the Shroud of Turin could be the authentic burial cloth of Jesus. See the next section.

From the Eyes of Jesus A Novel about the Coins of the Shroud of Turin

Closer examination indicates swollen cheeks from a beating to the head, damaged nose from this beating or a fall, abrasions on both shoulders from carrying a rough heavy object, a section of his beard missing, and no body-decay products present, all consistent with the image being Jesus. Chemical analysis indicates that what appears to be blood contains bilirubin, made by the liver in processing damaged red blood cells that would have resulted from the severe flogging.

Or is it a forgery?

The face on the Shroud also agrees with our concept of how Jesus looked. All evidence is consistent with the image being Jesus. No human body, alive or dead, has ever produced an image of itself on fabric. The only exception is the Shroud with its image of a crucified man.

Based on the image on the Shroud, the body wrapped within the Shroud was the dead body of a man that had been crucified. The evidence indicates the image is due to radiation damage to the linen caused by radiation emitted from the body that was wrapped within the cloth. We have no other example of this happening. It was evidently a unique event. Thus, the question is, what man who died by crucifixion could have gone through a unique event in which his dead body emitted such a powerful burst of radiation that it encoded an image of itself onto the linen cloth in which it was wrapped?

Thus, the most reasonable conclusion is that the image on the Shroud of Turin is Jesus. There is no other explanation that is consistent with the historical and scientific research. Click to edit text. What do visitors to your website need to know about you and your business? How was the image formed? When was the Shroud made? What about the carbon dating of the Shroud? What is the nature of the apparent blood on the Shroud? How did the blood get onto the Shroud? Could the Shroud of Turin be the burial cloth of Jesus? Scientific Investigation of the Shroud 5.

Dating the Shroud 7. The Carbon Dating Problem 8. Click to download our tri-fold brochure. It is very unlikely to have been ignored, reused, burnt or thrown out, so that if protected from moisture, insects, and intentional destruction, it could easily have survived to the present. A tradition preserved in the writings of Athanasius — A. The image that is now on the Shroud of Turin was frequently copied in Byzantine art.

The earliest surviving example is the Christ Pantocrator painting from St. The Shroud was most likely brought to Constantinople, the capital of the Byzantine Empire, in as the Image of God Incarnate, or it may have come into Constantinople in as the Mandylion or Image of Edessa. It may have been sold by Byzantine emperor Baldwin II to his cousin, King Louis IX of France, between and , or it may have been stolen from Constantinople in the sack of the city in In about it was exhibited in Lirey, France, as the true burial cloth of Jesus by the French knight Geoffrey de Charny.

The front and back images of a crucified man can be seen on the Shroud of Turin because the information that defines the appearance of a crucified man has been encoded into the pattern of discolored fibers that make the image on the Shroud.

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  • This information was only inherent to the body and was not in the limestone or air in the tomb.